Parched 7, 2022, 6.5" h x 5" w x 6" d, stainless steel wire, acrylic paint
Tug of War, 2025, 62(16)” w x 16” L x 2” d, copper wire, plant dyed fibers
Twist, 2024, 26”h x 32”w x 22”d, stainless steel wire, acrylic paint
Hazel, 2023, 22”w x 44”d x 25”h, stainless steel wire, acrylic paint, cotton thread
Parched 9, 2022, 7" h x 14.5"w x 10"d, stainless steel wire, acrylic paint
Avocado Toast, 2023, 7” x 10,” avocado pit ink, sea salt, lime juice on paper
These works are a continuation of my exploration of drought conditions, particularly the water levels of the Colorado river and reservoirs, with inks from vegetation that is fed by the water source or in some instances of crops that have suffered from flooding.
Salton Sea, 2023, 7” x 10,” avocado pit ink, sea salt on paper
down stream, 2023, 7” x 10,” avocado peel ink, sea salt, lime juice on paper
pool, 2023, 7” x 10,” onion skin ink, sea salt on paper
mead, 2023, 7” x 10,” avocado pit ink on paper
Full Circle, 2024, dimensions variable. Clay vessels created during residency in the Atacama desert, photographed in the desert where the raw material originated
Clay 1 - Full Circle, 2024, 4” x 4” x 2.” Clay vessels created during residency in the Atacama desert, photographed in the desert where the raw material originated
Sierra Gorda, 2024, 9" x 12," Algarrobo sap ink on paper
Catarpe 9, 2024, 9" x 12," Algarrobo sap ink on paper
Catarpe 8, 2024, 9" x 12," Algarrobo sap ink on paper